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      <image:caption>Muses on the facade of Marston Hall, Iowa State University central campus (2015)</image:caption>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Muses on the facade of Marston Hall, Iowa State University central campus (2015)</image:caption>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>The Muses on the facade of Marston Hall, Iowa State University central campus</image:caption>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Muses on the facade of Marston Hall, Iowa State University central campus (2015)</image:caption>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Muses on the facade of Marston Hall, Iowa State University central campus (2015)</image:caption>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Muses on the facade of Marston Hall, Iowa State University central campus (2015)</image:caption>
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    <image:image>
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      <image:title>ConservArt LLC, Projects</image:title>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Fountain of Four Seasons by Christian Petersen conservation (2016), Iowa State University, Memorial Union Building</image:caption>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Fountain of Four Seasons by Christian Petersen conservation (2016), Iowa State University, Memorial Union Building</image:caption>
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    <image:image>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Fountain of Four Seasons by Christian Petersen conservation (2016), Iowa State University, Memorial Union Building</image:caption>
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    <image:image>
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      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Fountain of Four Seasons by Christian Petersen conservation (2016), Iowa State University, Memorial Union Building</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53ac6566e4b0311d678e93d9/1484841169672-SHEY35QIBOUXBFA4X3KN/13.+ISU+Fountain+Four+Seasons%2C+Petersen%2C+1941.+Overview+of+fountain..JPG</image:loc>
      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Fountain of Four Seasons by Christian Petersen before conservation, Iowa State University, Memorial Union Building</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53ac6566e4b0311d678e93d9/1484841178373-72AITE50YUIJ56K0KRTF/11.+ISU+Fountain+Four+Seasons%2C+Petersen%2C+1941.+Overview+of+fountan+after+treatment..JPG</image:loc>
      <image:title>ConservArt LLC, Projects</image:title>
      <image:caption>Fountain of Four Seasons by Christian Petersen after conservation (2016), Iowa State University, Memorial Union Building</image:caption>
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  <url>
    <loc>http://www.kategreder.com/bio</loc>
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  <url>
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      <image:title>ATGC - ATGC</image:title>
      <image:caption>As part of the 2018 Cornell Biennial we used population-specific whole genome variation data, LED lights, and electrical wire to create a light installation which depicts a nucleotide by nucleotide walk through a global representation of human genomes. Location: McGraw Tower clock faces, Cornell University central campus Collaborators: Juan Felipe Beltrán, PhD student/Computational Biology, Yasir Ahmed-Braimah, PostDoc/Molecular Biology and Genetics, Josh Strable, PostDoc/Plant Biology Acknowledgements: The Genome Aggregation Database (gnomAD), Cornell Chimes, and the Cornell Council for the Arts</image:caption>
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      <image:title>ATGC - ATGC</image:title>
      <image:caption>As part of the 2018 Cornell Biennial we used population-specific whole genome variation data, LED lights, and electrical wire to create a light installation which depicts a nucleotide by nucleotide walk through a global representation of human genomes. Location: McGraw Tower clock faces, Cornell University central campus Collaborators: Juan Felipe Beltrán, PhD student/Computational Biology, Yasir Ahmed-Braimah, PostDoc/Molecular Biology and Genetics, Josh Strable, PostDoc/Plant Biology Acknowledgements: The Genome Aggregation Database (gnomAD), Cornell Chimes, and the Cornell Council for the Arts</image:caption>
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      <image:title>ATGC - ATGC</image:title>
      <image:caption>As part of the 2018 Cornell Biennial we used population-specific whole genome variation data, LED lights, and electrical wire to create a light installation which depicts a nucleotide by nucleotide walk through a global representation of human genomes. Location: McGraw Tower clock faces, Cornell University central campus Collaborators: Juan Felipe Beltrán, PhD student/Computational Biology, Yasir Ahmed-Braimah, PostDoc/Molecular Biology and Genetics, Josh Strable, PostDoc/Plant Biology Acknowledgements: The Genome Aggregation Database (gnomAD), Cornell Chimes, and the Cornell Council for the Arts</image:caption>
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      <image:title>ATGC - ATGC</image:title>
      <image:caption>As part of the 2018 Cornell Biennial we used population-specific whole genome variation data, LED lights, and electrical wire to create a light installation which depicts a nucleotide by nucleotide walk through a global representation of human genomes. Location: McGraw Tower clock faces, Cornell University central campus Collaborators: Juan Felipe Beltrán, PhD student/Computational Biology, Yasir Ahmed-Braimah, PostDoc/Molecular Biology and Genetics, Josh Strable, PostDoc/Plant Biology Acknowledgements: The Genome Aggregation Database (gnomAD), Cornell Chimes, and the Cornell Council for the Arts</image:caption>
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    <image:image>
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      <image:title>ATGC - ATGC</image:title>
      <image:caption>As part of the 2018 Cornell Biennial we used population-specific whole genome variation data, LED lights, and electrical wire to create a light installation which depicts a nucleotide by nucleotide walk through a global representation of human genomes. Location: McGraw Tower clock faces, Cornell University central campus Collaborators: Juan Felipe Beltrán, PhD student/Computational Biology, Yasir Ahmed-Braimah, PostDoc/Molecular Biology and Genetics, Josh Strable, PostDoc/Plant Biology Acknowledgements: The Genome Aggregation Database (gnomAD), Cornell Chimes, and the Cornell Council for the Arts</image:caption>
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  <url>
    <loc>http://www.kategreder.com/galleryp</loc>
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    <lastmod>2020-02-25</lastmod>
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      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 24” x 24” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
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      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 24” x 24” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
    </image:image>
    <image:image>
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      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 36” x 48” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
    </image:image>
    <image:image>
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      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 24” x 24” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
    </image:image>
    <image:image>
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      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 24” x 24” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
    </image:image>
    <image:image>
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      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 24” x 24” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53ac6566e4b0311d678e93d9/1565471233472-000H7VMOHP1QSUVYLJH8/E5295851-8C00-493B-BA58-46339B4C14A7.jpg</image:loc>
      <image:title>Polymerase Chain Reaction Paintings - Permutations of Amplicons</image:title>
      <image:caption>Date: 2017 Dimensions: 4 paintings on cardboard, 9” x 7” This suite of paintings was a collaborative project with Josh Stable which merges genetics, molecular biology, abstract painting, minimalism and elements of chance. Through color field paintings, we interpret the independent assortment and segregation of alleles in a population of maize seedlings. We used standard laboratory techniques (DNA isolation, Polymerase Chain Reaction [PCR] and gel electrophoresis), in a process known colloquially as genotyping, to resolve the genetic makeup of each plant for a single gene in an F2 population. Each painting decodes the pattern of amplified segments of DNA (known as amplicons), and thus reveals the genetic diversity of a population at a single gene locus. Exhibited at Gimme Coffee, Ithaca, NY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.kategreder.com/home-2019</loc>
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    <lastmod>2020-01-14</lastmod>
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      <image:title>Home (2019) - Home</image:title>
      <image:caption>This was from a collaborative art exhibition with Van Dyk Lewis, Smruti Mahapatra, and Keith Fraley which was part of the student run publication, Placebo. We installed a triangle with 11’ high walls in a gallery space where each wall depicted a different interpretation of ‘home’. Date: March 2019 Location: The Jill Stuart Gallery, Cornell University Funded in part by the Cornell Institute for Fashion and Fiber Innovation (CIFFI)</image:caption>
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      <image:title>Home (2019) - Home</image:title>
      <image:caption>This was from a collaborative art exhibition with Van Dyk Lewis, Smruti Mahapatra, and Keith Fraley which was part of the student run publication, Placebo. We installed a triangle with 11’ high walls in a gallery space where each wall depicted a different interpretation of ‘home’. Date: March 2019 Location: The Jill Stuart Gallery, Cornell University Funded in part by the Cornell Institute for Fashion and Fiber Innovation (CIFFI)</image:caption>
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      <image:title>Home (2019) - Home</image:title>
      <image:caption>This was from a collaborative art exhibition with Van Dyk Lewis, Smruti Mahapatra, and Keith Fraley which was part of the student run publication, Placebo. We installed a triangle with 11’ high walls in a gallery space where each wall depicted a different interpretation of ‘home’. Date: March 2019 Location: The Jill Stuart Gallery, Cornell University Funded in part by the Cornell Institute for Fashion and Fiber Innovation (CIFFI)</image:caption>
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      <image:title>Home (2019) - Home</image:title>
      <image:caption>This was from a collaborative art exhibition with Van Dyk Lewis, Smruti Mahapatra, and Keith Fraley which was part of the student run publication, Placebo. We installed a triangle with 11’ high walls in a gallery space where each wall depicted a different interpretation of ‘home’. Date: March 2019 Location: The Jill Stuart Gallery, Cornell University Funded in part by the Cornell Institute for Fashion and Fiber Innovation (CIFFI)</image:caption>
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      <image:title>Home (2019) - Home</image:title>
      <image:caption>This was from a collaborative art exhibition with Van Dyk Lewis, Smruti Mahapatra, and Keith Fraley which was part of the student run publication, Placebo. We installed a triangle with 11’ high walls in a gallery space where each wall depicted a different interpretation of ‘home’. Date: March 2019 Location: The Jill Stuart Gallery, Cornell University Funded in part by the Cornell Institute for Fashion and Fiber Innovation (CIFFI)</image:caption>
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      <image:title>Home (2019) - Design in 3D detail</image:title>
      <image:caption>This project used parametric design and computationally derived architectural approaches to garment construction to create a 3D-printed corset and fabric layer designed using algorithm driven, auto-generated pattern development. Date: Nov. 2018 Exhibition title/Venue: International Textile and Apparel Association (ITAA) annual conference design exhibition, Cleveland, OH. Title: The Corset Algorithm Collaborator:Jie Pie Medium: 3D printed corset structure with auto-generated pattern for fabric layer Acceptance rate: 34%</image:caption>
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      <image:title>Home (2019) - Design in 3D detail</image:title>
      <image:caption>This project used parametric design and computationally derived architectural approaches to garment construction to create a 3D-printed corset and fabric layer designed using algorithm driven, auto-generated pattern development. Date: Nov. 2018 Exhibition title/Venue: International Textile and Apparel Association (ITAA) annual conference design exhibition, Cleveland, OH. Title: The Corset Algorithm Collaborator:Jie Pie Medium: 3D printed corset structure with auto-generated pattern for fabric layer Acceptance rate: 34%</image:caption>
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  <url>
    <loc>http://www.kategreder.com/parametric-corset</loc>
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      <image:title>Parametric Corset</image:title>
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      <image:title>Parametric Corset - Design in 3D front and back</image:title>
      <image:caption>This project used parametric design and computationally derived architectural approaches to garment construction to create a 3D-printed corset and fabric layer designed using algorithm driven, auto-generated pattern development. Date: Nov. 2018 Exhibition title/Venue: International Textile and Apparel Association (ITAA) annual conference design exhibition, Cleveland, OH. Title: The Corset Algorithm Collaborator: Jie Pie Medium: 3D printed corset structure with auto-generated pattern for fabric layer Acceptance rate: 34%</image:caption>
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      <image:title>Parametric Corset - Design in 3D laser cut pattern pieces</image:title>
      <image:caption>This project used parametric design and computationally derived architectural approaches to garment construction to create a 3D-printed corset and fabric layer designed using algorithm driven, auto-generated pattern development. Date: Nov. 2018 Exhibition title/Venue: International Textile and Apparel Association (ITAA) annual conference design exhibition, Cleveland, OH. Title: The Corset Algorithm Collaborator:Jie Pie Medium: 3D printed corset structure with auto-generated pattern for fabric layer Acceptance rate: 34%</image:caption>
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      <image:caption>This was a collaborative art installation created with Smruti Mahapatra and Van Dyk Lewis, at Cornell University in the fall of 2019. The exhibition was a commentary on green washing in the fashion industry and the idea that consumption and carbon offsets will solve the climate crisis.</image:caption>
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